‘Last Movies’ by Stanley Schtinter explores the final watching preferences of historical characters
William Kentridge’s exhibition in Cape Town displays his technique of collaging snippets of text over drawings
US racist ideology, Thai crime drama, a US first lady’s diary and a selection of Aki Kaurismäki films
History scholars will point out director Ridley Scott’s inaccuracies and other viewers are likely to feel unsatisfied by the flawed but notable attempt
Sue Williamson’s Turning the Pages exhibition invites visitors to dwell on the relationship between text and image
Activist helped to enshrine gay rights in SA’s constitution
Actors can now return to shameless self-promotion, though industry players may wonder if it is necessary
In Search of the Birds of the Sea bridges the gaps between Spier’s winelands setting and the village of Hamburg
Shenanigans among spies and the upper classes, more Grand Prix and a civil rights hero
More arts content in mainstream media will help to collapse the centre-periphery model of art consumption
The realities of life on the Cape Flats, two assassins, a romance and a family’s fight to keep their land
Chepape Makgato wants to position the William Humphreys Art Gallery more prominently in SA’s arts landscape while retaining its regional role in Kimberley.
The president weighs in after watching Dead Reckoning and other AI products
In ‘All the Light We Cannot See’ a blind French girl’s life intersects with that of a German soldier through the power of radio communication
SA artists feature at Strauss & Co’s upcoming November auctions
Hollywood is rife with controversies, some about movies but also about sex and politics
Gay life in 1970s Rome, the Korean new wave cinema, and tales of the supernatural
Movie shows what can be achieved when people are willing to live, eat and grieve together
Martin Scorsese’s ‘The Killers of the Flower Moon’ recounts the rise and fall of the Osage in 1920s Oklahoma