In February 1978, a shy north Londoner appeared on the BBC’s Top of the Pops for the first time. Her name was Kate Bush and she sang her own composition: a majestic, vocally demanding song called Wuthering Heights. Clutching a thin microphone and accompanied by the desultory rhythms of the BBC’s house band, she soared through the song with almost no help. She’d been prevented from bringing in musicians of her choice, and the BBC’s backing musicians were limp and dull. "It was like watching myself die," she said later. Before the year was out, Bush sang the song on Top of the Pops four more times. Sometimes she accompanied herself on piano. As Wuthering Heights bounced up the charts, she learnt her lesson: never appear before a band you can’t trust. Suddenly the song was attracting plaudits. She established a group of fanatical followers. With her pre-Raphaelite locks and eyes enlarged by too much mascara, she reminded them of mystery and hooded intrigue. They were in love. The mains...

BL Premium

This article is reserved for our subscribers.

A subscription helps you enjoy the best of our business content every day along with benefits such as articles from our international business news partners; ProfileData financial data; and digital access to the Sunday Times and Sunday Times Daily.

Already subscribed? Simply sign in below.

Questions or problems? Email or call 0860 52 52 00. Got a subscription voucher? Redeem it now