In 1972 Samuel Beckett wrote a short dramatic monologue, titled Not I, in which a disembodied mouth utters jumbled sentences at a ferocious pace. This is clearly the inspiration behind a new exhibition of paintings and ceramic sculptures by SA artist Marlene Steyn. Knot I : I Knot is a collection of dismembered ceramic body parts in pastel colours — fragments and distortions of the human form depicting the separation of self. Interestingly, the title also alludes to Jacques Lacan’s Borromean knot, in which three rings are linked in such a way that if any one of them is severed, all three become separated. The figures in Steyn’s exhibition reference this bond, which constantly threatens to come undone, by linking the Lacanian knot to a physical yoga pose, in which the body is knotted in order to unknot the mind. Steyn’s elongated, distorted figures bend and twist in yoga-like positions. In some sculptures, severed heads and spherical breasts become the supports for volleyball nets an...

BL Premium

This article is reserved for our subscribers.

A subscription helps you enjoy the best of our business content every day along with benefits such as exclusive Financial Times articles, ProfileData financial data, and digital access to the Sunday Times and Sunday Times Daily.

Already subscribed? Simply sign in below.

Questions or problems? Email or call 0860 52 52 00. Got a subscription voucher? Redeem it now