CHRIS THURMAN: Constitution Hill a hauntingly specific setting to capture a global blight
Elisa Iannacone produces dense photographs and narratives of survivors who have been sexually violated
Artists have a complex set of ethical and aesthetic considerations to keep in mind when they represent sexual violence and its aftermath. In the performing arts, depictions of rape on stage or screen are likely to elicit audience objections for graphic and/or triggering subject matter. Yet if the violence is stylised, portrayed through symbolism or narrated rather than shown — all common choices — there is a chance that the horror experienced by victims of sexual violence, and the courage shown by survivors, are not fully conveyed.
Visual artists face similar challenges, with the additional complication that they might seek to condense profound trauma (and even recovery) into a single image or set of images. Photographs, in particular, capture an instant in time; how, then, to communicate the unfolding journey of a rape survivor or a community of survivors? ..
Would you like to comment on this article?
Sign up (it's quick and free) or sign in now.
Please read our Comment Policy before commenting.
Subscribe now to unlock this article.
Support BusinessLIVE’s award-winning journalism for R129 per month (digital access only).
There’s never been a more important time to support independent journalism in SA. Our subscription packages now offer an ad-free experience for readers.
Cancel anytime.
Questions? Email helpdesk@businesslive.co.za or call 0860 52 52 00. Got a subscription voucher? Redeem it now.