As the world teeters on a knife edge of uncertainty, with the dark shadow of global conflict in a still nuclear age re-emerging, conditions are ripe for British documentarian Adam Curtis to offer one of his provocative film essays that attempts to untangle how we got here and what can be done about it.

In a three-decade career, Curtis, who began his career as a politics lecturer before leaving academia for a job at the BBC, has distinguished himself as the UK’s singular re-assembler of archive material in a series of films influenced by the collage artworks of Robert Rauschenberg and the modernist literary collage of John Dos Passos’ U.S.A Trilogy. In archive-rich docuseries, distinctive for their big ideas and whimsical digressions, Curtis has attempted to tackle a variety of aspects of late 20th and early 21st century social reorganisation. He has attempted to trace how the will of those at the top of western democratic society has been forced on to those at the bottom,...

Subscribe now to unlock this article.

Support BusinessLIVE’s award-winning journalism for R129 per month (digital access only).

There’s never been a more important time to support independent journalism in SA. Our subscription packages now offer an ad-free experience for readers.

Cancel anytime.

Would you like to comment on this article?
Sign up (it's quick and free) or sign in now.

Speech Bubbles

Please read our Comment Policy before commenting.